Journey to the End of the Night
by Adam Hirsch
(The recent DVD release of The Hangover offered the opportunity to remedy the missed chance earlier in the summer for a review. Also: DVD Christmas gifts!? Check out Giampaolo’s DVD review of Star Trek here.)

Dennis
by Adam Hirsch

This might belong better in an upcoming Round-Up, but I’ll stick it here, now, because it is an amazing film to watch in the cold winter months. Kind of a downer, but I’ll follow up with something much more Christmas-y. (more…)
The Return of the (CGI) Native
by Adam Hirsch

Avatar (Dir. James Cameron, 2009)
All right, I’ll say it.
Avatar might very well be the most deeply racist film made in Hollywood since World War II. The film functions on the basis of James Cameron’s fetishization of the native and never breaks from that original persuasion. This is nothing new; the West has long objectified and idealized aboriginal and indigenous populations. Avatar, however, might be the first major piece of Orientalism put out in the last forty years by an author (read: filmmaker) completely, it seems, unawares. It’s also, at $230 million dollars, the most expensive film ever made. (more…)
The Tears of Tim Tebow
by Adam Hirsch

We mainly stick to film here on the Company blog, but I wanted to take a moment to discuss a topic that’s been neglected: football.
Maybe it’s that I’ve spent the last six months watching, reviewing, and all around marinating in college football for Perseverence, or maybe it’s that I’ve been watching games for the past seven hours, but I’m intrigued by tonight’s SEC Championship, which ended with something rarely seen at a football game — tears. (more…)
The Company Round-Up: Best of the 2000s
by Adam Hirsch

The ride’s over.
There went the decade, crawling to a slow halt in the station, and now we disembark. This decade had its ups (college, technology) and downs (war, hurricanes)–and the world of film was no exception. Filmmaking went in two directions: Hollywood films ballooned year by year with increasing budgets and frames, culminating with this month’s Avatar, James Cameron’s all-digital $700 million 3D action romp; Independent Cinema moved into inventive territory with uploads to YouTube and low-fi meditations in Neo-neorealism after many Studio Independent Branches that funded indies (for a period, c. 2003-2007) realized that there was no real market where they believed one to be and abandoned the cause. Still, large theater chains carried more independent films than ever before, and distribution for independent films was bigger than ever with the internet and VOD cable television bringing cinema to places it never could have travelled in the past.
We forget that in 1999, DVDs were seen as the luxury alternative to VHS tapes (as Blu-Ray is to DVD now) and the local video rental store was the general access point to the cinematic world. But with this decade came the domination of the disc, and Netflix rose with it along the way. No matter where you live, so long as you have access to the internet and a DVD player, you can watch nearly any film. Think about that.
This decade was the era of the superhero. Television rooted itself in its conception of reality, though gradually began to lose itself to the power of the immediacy of the internet. Just as the remote control killed the traditional nightly television schedule, so did TiVO and iTunes murder watching television on any predetermined schedule at all.
Here’s the Company List for the top films of the Noughties. (more…)
The Company Roundup [Nov. '09]
by Adam Hirsch

Here are our humble endorsements.
Ordering a ‘Short’ Coffee at Starbucks
It’s kind of like ordering off the secret menu at In and Out Burger. They don’t offer it in the usual three choices, and since all of us here at the Company prefer good ol’drip coffee to an impressively verbose latte order, the Short is the ideal size for the afternoon kick you need, or if you just want to go and read in peace. Trust us: you’ll be cooler than Shackleton’s right hand. (In addition, thank you, History Channel, for the many late-night Shackleton documentaries.)
Collected Stories by Gabriel García Márquez.
Because great style never ages, and every story is a gem. Amazingly, Márquez’s short-story output is slim. Although the book only has just under 350 pages, it reads fast but goes to brave depths. Buy a copy and you’ll come back to it again and again for years. Also, he never uses adverbs — ever. The man considers them to be cheating. Go and try to find one. We dare you.
Eating Dinner Around 8:00 p.m.
And do it with a good group of friends. Don’t eat in front of the television, and don’t eat something that involves anything to do with a microwave oven. Crack open a bottle of wine and eat sandwiches for an hour. It makes life seem that much better.
Uni-Ball Signo 207 Medium Pens.
Black ink preferred. The ideal writing instrument for anything and everything. Unpretentious, quick, and easy.
Watching College Football on Saturday Afternoon.
Most people who watch football prefer the NFL to the NCAA (going by a completely unscientific poll). But there’s an earnestness and, yes, even an innocence that can be found in college football that lacks in the NFL; every single one of those players does it for free and gives their heart to the team simply out of a love for the game. Although the BCS system is extremely — read: extremely — flawed, most conference games and especially rivalries are worth watching. Lay on the couch, turn it on, and pick a side.
KitKat Bars.
Gimme a break. Do you really need a reason?
“Ruby My Dear” by Thelonious Monk
Listen to this song, performed by this man, if you ever wanted to know what falling in love sounds like.
The Great Imitation [Part Three]
by Adam Hirsch
[Whew. So it only took four months to finish this series that began as a basic review of three films, Julie & Julia, G.I. Joe: The Rise of Cobra, and (500) Days of Summer. The earlier posts can be found here and here, respectively.]
Simplify Your Life
by Adam Hirsch
I’m torn.
It’s titled “The Most Boring Video In The World” on YouTube, but the truth of the matter is that if it were shown in a video art gallery, we might all consider it brilliant. Not because of its long-winded explanation of my inability to simplify my travel packing habits, but simply because there is nothing like it anywhere else. Anywhere.
The Strangest Damned Gang (Wild Things Review, Take III)
by Adam Hirsch
(Notice: Any film that creates a real dialogue about it has really done its job. Matt’s review of Where the Wild Things Are is here. Giampaolo’s review of it is here. Also, I discuss some plot points of the film but try not to spoil anything; however, if you want to see the film fresh, you might want to read this after watching it.)
When Bonnie & Clyde opened in 1967, it was heralded as the quintessential baby-boomer film. Even though the subject matter was over thirty years old, and the script was written by a hollywood outsider, and the direction was old school (almost archaic) formalism, everything about it seemed to bear some reflection on the current social and political atmosphere.
Where the Wild Things Are, forty years later, is the new generation’s Bonnie & Clyde.
(more…)
Vivian Maier
by Adam Hirsch
An amazing blog about a recently re-discovered street photographer from the 1950s, Vivian Maier.
The Company Round-Up [Oct. '09]
by Adam Hirsch
Here’s the Company roundup of the extra-ordinary floating around the internet.
The Greatest News Story of the Decade That Must Be Made Into a Short Film [LINK]
(Opening sentence: A gay man tried to poison his lesbian neighbours by putting slug poison into their curry after he was accused of kidnapping three-legged cat.)
A Long-Awaited Collaboration Between T-Pain and Carl Sagan
Perhaps The Best Advertising Campaign of The Year
The Company Endorsement – Sept. ’09
by Adam Hirsch
Things to do, things to see, things to read in these last weeks of summer:
The Great Imitation [Part Two]
by Adam Hirsch

[The following essay began as a review of three movies that came out this past weekend: Julie & Julia, G.I. Joe: The Rise of Cobra and (500) Days of Summer. However, in the middle of watching them, it began spiraling into something much larger. It's in three installments, one for each film. -- AH]
I left off in the last installment by arguing for the existence of a grey area within imitation of an objective art wherein the actual form and procedure of imitation makes everything jell. By “grey area,” I mean to say the subjective portion of the imitative capacity in the work that differs from person to person and action to action. The imitation, when completed in this correct form, becomes new in some way.
A Reminder.
by Adam Hirsch
The Great Imitation [Part One]
by Adam Hirsch
“Remember that lost time does not return.”

It also covers the repercussions of her work, told in two interweaving narratives: Julia’s life in France and, forty years later, a neurotic writer-to-be living in New York named Julie who decides to spend a year cooking her way through Mastering the Art, write a blog about it, and inexplicably spends every single evening drinking several martinis without any dire effects. Meryl Streep, as always, is impeccable as Julia Child and Amy Adams is great as Julie. Although they both are extremely empathetic protagonists, it’s Julia who always manages to be the one in power. Julia draws meaning from life out of excellence; Julie draws meaning out of life from the replication of Julia’s excellence.
and gastronomic cookbooks — Child’s in particular — is that the former insist on the individual taking the lessons and making something new and unique; the latter asks that the cook follow the directions in order to produce a standard form of a dish.
The Company Endorsement – Aug. ’09
by Adam Hirsch
For the month of August, we’d like to help you pick out what might help the most.
The Storming of the Brattle!
by Adam Hirsch
One week from today, on July 10, 2009, at the Brattle Theater in Cambridge, Massachusetts, we have been given the extreme honor of hosting the East Coast Premiere of our Senior Thesis films, FAITH HEALER (dir. Adam Hirsch) and BULLSEYE (dir. Matt Paley) for everyone and anyone who wishes to come. And it would make all the difference if you would.
Now We’re Hep.
by Adam Hirsch
We now — very proudly — would like to announce the launch of our brand-new website, sainteliotandco.com, where our media, contact information, clips and trailers for our films (Faith Healer and Bullseye) and everything else can be found.
J.B.
by Adam Hirsch

The answer lies right in front of us: in the box, under the sheets, at the top of that one particular closet perpetually passed by, year after year, the one location we have forgotten to look. No matter how many times it has occurred in the past, we somehow arrive back to that very same conundrum: how could we not have known?
Voices, eyes. The mark is upon us all — carry the burden of revelation: the gift of realization and deference for the situation. It is because we are human, brief and tame, that we may choose to forget — or not to forget — these persisting and relentless situations. There are, as well, different paths we may take toward this revelation; paths we walk down, criss-crossing as we fall into maps of who to listen to; where to gather the information; whether the testimony is fact or tale; whether we have unwillingly invented myths that will weave us around back to where we did not even realize we began. Which is why the truth about J.B. Fermor will never come down from that top shelf. Too many people have a say in it.
Some of the letters found paper-clipped to the pages of the five volumes of Peterson’s Field Guides (1961: 6th Edition) are signed by Piper – who is Piper?
Maybe she’s just an idea, a whisper; something in the dust; an intruder; the memory of a headache; a blur in the background of a photograph; the sensation of the time that a harmony may bring about. Anything else is speculation.
Everything, though, is speculation.
She was a love; that much can be known. She was not a love poem, she was love. The letters were written because she had to write: thoughts (and, yes, speculation) were not enough. Yet there were impediments in J.B.’s path to her.
Were J.B. and Almajean married in bliss? For a time, I’m sure. But their tale is truly lost to the silent and merciless tale of time. Their own relationship – /re/la/tion/ship/: the duration and venture of their union – can only be known through their separate re-collections and dialogues. They do not always match; they do not always want to coincide. Even their union itself can be called into question.
The most useful Almajean came to be resulted from her donation of the BOX to the search for J.B: the contents of the box are very real.
Piper — she loved him. (Love!) It came off her tongue as a new sensation – something that she tried to mimic in her letters to him. She wanted to carve the air with it. They fell in love in the leanest sense of the word, condensed; humid; without questioning, without doubting; with each other as the only evidence. They did not have the weight of the past as a leveraged interest on their emotions (at least, not yet).
What we feel means nothing: it is only the actions we take as a result of those feelings that mean anything at all.
She wrote the letters. She started coughing more but didn’t mind it; it was only when the fatigue set in that she became scared. Her real name was Regina but everyone called her Piper because she whistled so well. She whistled to him. They were young. But. Then there was the lettering, the lottery, the picking and the placement; but it did not matter to them: he would come back soon enough; he would come back to her.
Everything is speculation.
She coughed once when they made love; he thought it was his weight on her chest.
She coughed more after he left; she coughed more into little squares of cloth she kept in her pockets that she made from the leftover linen she and her mother bought to make the new pillowcases.
She mailed him the doctor’s slip, but that was much later. He had been gone for over a year, then. She didn’t know what to do. Her father told her to pray, but she did not think that prayer had much to do with it (blood on her pillow; Bible in her drawer). Her father was the minister. Her chest felt damp.
She remembers when she went with her mother to buy the pillowcase linen in Ardmore. Her mother drove them in (her mother taught her father to drive, actually): Interstate 44 came after almost an hour on the dust and gravel roads. Dust covered the black car and the gravel knocked them around, pellets hitting the side and undercarriage – very hot, since her mother refused to open the windows (presumably because of the dust), the black leather seats sticking to her thighs; she pulled her dress with the crimson flower prints down, pulled it down and peeled the leather off to put the thin material between – but when they made it to the highway the blacktop smoothed the ride out and it was only another half hour into town.
She remembers this day because, one week later, she wrote about it to J.B. in the first letter she ever sent airmail, overseas. The kale green stamp; runny post office pen chained to the counter; the crisp envelope resisting as she wrote down the address, every line of his name a conscious stroke; looking at the address she kept in her dress pocket. The clerk took the letter from her.
The clerk took the letter from her, half-smiled, and tossed it into the box with all the other letters that were going to the soldiers’ camps.
Later that day they bought the linen and they made it into the pillowcases, and even had enough left over for a sheet. The pillowcases (and the sheet) she took with her to the hospital; the hospital that was in Guthrie; the hospital only three stories tall; the hospital where she wrote the other seventeen letters (mailed) and thirteen notes (given) to J.B. and subsequently paper-clipped into the pages of his copy of Peterson’s Field Guides for safe keeping.
Pale Fire
by Adam Hirsch

Fuel for heavy flames: where there is smoke, there is fire. In the due course of making a film, one wishes for the smoke to act as a sort of calling card, a beacon, a tolling bell in the distance to bring people in and help you from going under and drowning. So may these entries, then, be a form of a smoke signal, bell tower, jazz club and cathedral all in one.








