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	<title>St. Eliot &#38; Co. &#187; gatorade</title>
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		<title>I Don&#8217;t Like Them Apples</title>
		<link>http://sainteliotandco.com/blog/i-dont-like-them-apples/</link>
		<comments>http://sainteliotandco.com/blog/i-dont-like-them-apples/#comments</comments>
		<pubDate>Tue, 08 Dec 2009 03:24:05 +0000</pubDate>
		<dc:creator>Brian Barth</dc:creator>
				<category><![CDATA[blog]]></category>
		<category><![CDATA[Brian]]></category>
		<category><![CDATA[writing]]></category>
		<category><![CDATA[amazing catch]]></category>
		<category><![CDATA[gatorade]]></category>
		<category><![CDATA[iphone]]></category>
		<category><![CDATA[pro video coalition]]></category>
		<category><![CDATA[viral video]]></category>

		<guid isPermaLink="false">http://sainteliotandco.com/?p=1329</guid>
		<description><![CDATA[Tips on creating a successful viral video.]]></description>
			<content:encoded><![CDATA[<p>The talented guys over at <a href="http://provideocoalition.com/">Pro Video Coalition</a> just posted an interesting story about a new commercial, <a href="http://www.youtube.com/watch?v=2V5fKX_U3qY&amp;feature=player_embedded">&#8220;Apples&#8221;</a>, shot on the iPhone.</p>
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<p>While the technique behind the motion graphics is quite remarkable (see the behind the scenes on the PVC post), I found the acting totally sunk the spot.  Companies are desperate to reach out to our youtube generation &#8211; and I think it shows.  The woman&#8217;s delivery treads the line between sculpted narrative and improvised realism: the <a href="http://en.wikipedia.org/wiki/Uncanny_valley">uncanny valley</a> of cinema.<span id="more-1329"></span></p>
<p>What bothers me is that the thought process is transparent.  As you watch &#8220;Apples&#8221;, you can see the filmmaker getting the shots but then thinking, &#8220;oh, youtube!&#8221; and then shaking it up. It&#8217;s a problem of self-consciousness and it happens in all kinds of films.  You can always tell, because it feels like you&#8217;re being baby-talked to.  Both the actress and the shooter are falling into the same trap as high-school actors: they are over-thinking their parts and missing the necessary details.</p>
<p>This got me thinking about how hard it is to pull of this kind of advertisement.  Do you remember this video from a while ago?</p>
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<p>This is an ad for Gatorade.</p>
<p>However, this is the most realistic viral ad I&#8217;ve ever seen, and it&#8217;s all in the subtleties.  The simple fact that the video cuts out mid-sentence gives the short the feeling as if it were just grabbed from a DVR.  The setting of the baseball game gives you all the familiar tropes of sports footage &#8211; instant replay, scrolling text, fans waving in the background &#8211; to completely sell the illusion.  Now, it&#8217;s clear that Gatorade has a much larger budget, but I have a few pointers for any of you planning on making and pulling off a &#8220;youtube&#8221; style promotional piece.</p>
<ol>
<li>Act Natural: get a real amateur to shoot your footage &#8211; there&#8217;s no film school looking through the lens.</li>
<li>Be Concise: let your subject be present but subtle (i.e. the Gatorade bottle underneath the ball girl&#8217;s chair, therefore Gatorade is a constant in the world of sports.)</li>
<li>MacGuffin: provide a reason for filming &#8211; a skateboard trick, beatboxing, basically anything can get a camera rolling these days &#8211; use that to your advantage.  It&#8217;s much more believable than an actress explaining the subway route for no particular reason.</li>
</ol>
<p>So let&#8217;s get out there and become the next Mad Men!  I&#8217;ve already bought the suspenders. You bring the bourbon.</p>
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