The St. Eliot & Co. Top 10 of 2011
by Adam Hirsch
Yeah, we know. We’re late with the list again. But 2011 had a remarkable run in cinema, and this year’s list truly runs through nearly the entire spectrum.
Something to keep in mind: none of the individual lists are the same. Films listed as number one by some people weren’t even seen by others. But, indeed, this is part of the film going experience and part of why the list is formulated as it has been. This is a snapshot, a look inside what different people are interested in, and what they thought of what they have viewed.
Below you’ll find the official Company list, followed by all the individual lists, and the scoring and explanation of how the list was created. (more…)
2011 Film Preview
by Jake Teresi
I’ll admit it: a list looking ahead at the year’s best offerings is almost futile. When I made last year’s list, I chose 3 films that were later pushed back a year, 2 films that were eh, and 2 films that just plain stank. Only 3 I picked ended up being memorable (those were Inception, Black Swan, and Rabbit Hole). Many of the films that meant the most to us came out of nowhere or, more specifically, a little festival in Utah. Still, it’s worth getting excited by a whole slew of new films, even if we risk disappointment. If last year was any indication, there are many poignant experiences still to be had in the dark of a movie theatre. (more…)
Another One From Reichardt
by Adam Hirsch
Kelly Reichardt, the patron mater familias of the Company, whom most of us here were mentored by during our days up on Annandale, has just churned out her newest work, Meek’s Cutoff, and from most of the internet buzz, it’s something. It was sold for theatrical release at the Toronto Film Festival, and as of today it’s loosely scheduled for a Spring 2011 release.