The Hurt Locker, dir. Katheryn Bigelow (2009)
The Hurt Locker opens with a quotation from a book by the journalist Chris Hedges called War is a Force that Gives us Meaning. “The rush of battle,” Hedges writes, “is a potent and often lethal addiction, for war is a drug.” (more…)
Like Kathryn Bigelow, recipient of the Oscar for Best Director, I’m utterly speechless. Last night the Academy decided, under pressure from the big moneymakers and unique genre films, to select the best-made film for best picture. Going into this, I was almost certain that it was going to be Kathryn Bigelow for Best Director and Avatar for Best Film. I am so glad that I was wrong.
"Hurt Locker" Director Kathryn Bigelow
Co-head New York Times film critic Manohla Dargis just gave an interview with Jezebel, and she held little, if anything, back. “Let’s acknowledge,” she says right off the bat, “That the Oscars are bullshit and we hate them. But they are important commercially… I’ve learned to never underestimate the academy’s bad taste. Crash as best picture? What the fuck.” (more…)
Now, on this snowy New Year’s Eve, it’s a better time than ever to reflect back on the year and select our choices for the best cinematic efforts in 2009.
Myself, Peter Warren, Brian Barth, Giampaolo Bianconi, Jake Teresi and Matt Paley all wrote down our Top-10 lists (although Matt, in an uncharacteristically cynical move, declined to offer a full 10). There were ten films overlapping our choices, and, ranked by frequency, comprise the final top-10 list.
Best Films.
Up (Dir. Pete Doctor) — 5 Votes
The Hurt Locker (Dir. Kathryn Bigelow) — 5 Votes
A Serious Man (Dirs. Joel and Ethan Coen) — 4 Votes
Fantastic Mr. Fox (Dir. Wes Anderson) — 3 Votes
Up In The Air (Dir. Jason Reitman) — 3 Votes
Inglorious Basterds (Dir. Quentin Tarantino) — 2 Votes
Lorna’s Silence (Dir. Jean-Pierre Dardenne) — 2 Votes
Where The Wild Things Are (Dir. Spike Jonze) — 2 Votes
The Road (Dir. John Hillcoat) — 2 Votes
Sugar (Dir. Anna Boden) — 2 Votes (more…)
